Since 2015, I’ve been concepting and overseeing 30 Grad, the customer magazine of Mühle, a third-generation family-owned shaving manufacturer in Saxony. With the launch of the online magazine in 2022, 30 Grad went through a full redesign to create a look that works seamlessly across print, social media and website. In addition to web and editorial design, I’m also art directing the still-life photo shoots. Logotype and logotype animation by Sascha Bente. 

I designed the logo for Softy, a product line made entirely of one-of-a-kind pieces crafted from recycled mattresses. I also created two posters that visitors could buy and take home at the product exhibition. The pieces were designed by Simon Stanislawski, who completed his Master’s with Konstantin Grcic.

Website for Circulor including images, icons, and animations. Circulor is a London-based company that uses digital solutions such as blockchain to bring transparency to complex supply chains, enabling sustainable, responsible, and compliant business practices. Animations in collaboration with Aljoscha Höhborn.

Full redesign for the yearly Berlin Questions conference. The concept is flexible: elements like the grid, website structure, and the Berlin Questions logotype stay the same each year, while key visuals, imagery, colors, and fonts change to reflect the yearly theme. The logo also gets updated with the year, using the typeface from that year’s concept. The design scope includes merch, website, social media, stage, OOH, and more. Animations in collaboration with Aljoscha Höhborn.

Together with Sascha Bente and Marius Land, I developed a design concept for Kunstverein Göttingen that balances strong recognition with enough space for each artist’s work to shine. Two different typefaces subtly indicate which of the two locations the exhibition is taking place in. Besides social media visuals and OOH media, the collaborations with artists like Monira Al Qadiri and Lena Marie Emrich also resulted in additional elements like books, merch, and exhibition materials.

During a trip to New York, I documented diode-style type in the subway and digitized it. Based on my initial draft, Sascha Bente later created the Regular and Italic styles, which are now available for purchase. The type has been used for Frank Ocean’s Homer Radio and more recently by Spector Books. The animations made by Aljoscha Höhborn show the dynamic applications we had in mind for the typeface.

For N Kramer’s album Altered Scenes and Slight Variations, released on Leaving Records, I created a series of abstract animations that also set the visual style for the album and single covers. The goal was a look that feels unfinished, emphasizing a sense of ongoing process and constant evolution.

Film posters for Jesus Egon Christus by Saša and David Vajda. Along the way, I also created a few additional concepts and visual experiments during the design process.

Art-directed two photoshoots for Death To Stock on the themes Dark Tech and Internet, photographed by Fanette Guilloud.

Graphic design for J Foerster and N Kramer’s album Habitat II, released via Leaving Records. The typeface used on the cover, which also appeared on the previous album Habitat I, creates a visual link between the two. Lily Clark kindly provided images and video of one of her artworks, which served as the key visual. All available material was used to integrate the artwork as dynamically as possible throughout the promotional phase.

I began my career in the editorial field, where I learned to distill content to its essence and express it with visual and typographic precision. This skill remains central to my work today – especially in branding and image conception, where clarity and memorability are key.

I stay aware of current trends and new possibilities in visual communication, but apply them thoughtfully to give projects longevity and keep them accessible to a broad audience. This way, my work remains both inviting and distinctive.

In the fields of beauty, technology, and culture, I use these strengths to create messages that are clear, impactful, and free of unnecessary distraction.

Rocktech Lithium, Circulor, Cartelux, Hyundai Germany, Mühle Shaving, RTL Group, Autostadt, Bundesbank, Magis, Dummy Verlag, Gruner + Jahr, Zeit Kunstverlag, 11 Freunde, Kunstverein Göttingen, Leaving Records, Kerber Verlag, Possible Digital GmbH, Visit Berlin, Zalando