As Senior Art Director at muehlhausmoers, I was responsible, among other projects, for redesigning the Hyundai Magazine and overseeing its production across several issues.

Art-directed two photoshoots for Death To Stock on the themes Dark Tech and Internet, photographed by Fanette Guilloud. The client also wanted a few graphic applications to inspire potential license purchasers. This resulted in a series of posters. 

Full redesign for the yearly Berlin Questions conference. The concept is flexible: elements like the grid, website structure, and the Berlin Questions logotype stay the same each year, while key visuals, imagery, colors, and fonts change to reflect the yearly theme. The logo also gets updated with the year, using the typeface from that year’s concept. The design scope includes merch, website, social media, stage, OOH, and more. Animations in collaboration with Aljoscha Höhborn.

Since 2015, I’ve been concepting and overseeing 30 Grad, the customer magazine of Mühle, a third-generation family-owned shaving manufacturer in Saxony. With the launch of the online magazine in 2022, 30 Grad went through a full redesign to create a look that works seamlessly across print, social media and website. In addition to web and editorial design, I’m also art directing the photo shoots, collaborating with photographers such as Amos Fricke, Max vom Hofe, Alexander Kilian, and Fanette Guilloud. My concept for the new logotype, which is based on a 30-degree angle, was implemented and animated by Sascha Bente.

During a trip to New York, I documented diode-style type in the subway and digitized it. Based on my initial draft, Sascha Bente later created the Regular and Italic styles, which are now available for purchase. The type has been used for Frank Ocean’s Homer Radio and more recently by Spector Books. The animations made by Aljoscha Höhborn show the dynamic applications we had in mind for the typeface.

I collaborated with Andreas Duschek to compile and design Out Of Office, the first photo book by Maximilian Virgili.

Album and single artworks, tourdates, video credits and online ad campaign for the album Something to Lose by Better Person.

I designed the logo for Softy, a product line made entirely of one-of-a-kind pieces crafted from recycled mattresses. I also created two posters that visitors could buy and take home at the product exhibition. The pieces were designed by Simon Stanislawski, who completed his Master’s with Konstantin Grcic.

Business cards design for UND Studio, a product and interior design studio. Inspired by the studio’s focus on using a single material, the cards feature blind embossing. The digitally created handwritten embossing references the digital design process while also symbolizing the refinement of everyday objects—just like UND Studio’s furniture.

Together with Sascha Bente and Marius Land, I developed a design concept for Kunstverein Göttingen that balances strong recognition with enough space for each artist’s work to shine. Two different typefaces subtly indicate which of the two locations the exhibition is taking place in. Besides social media visuals and OOH media, the collaborations with artists like Monira Al Qadiri and Lena Marie Emrich also resulted in additional elements like books, merch, and exhibition materials.

Film posters for Jesus Egon Christus by Saša and David Vajda. Along the way, I also created a few additional concepts and visual experiments during the design process.

I began my career in the editorial field, where I learned to distill content to its essence and express it with visual and typographic precision. This skill remains central to my work today – especially in branding and image conception, where clarity and memorability are key.

I stay aware of current trends and new possibilities in visual communication, but apply them thoughtfully to give projects longevity and keep them accessible to a broad audience. This way, my work remains both inviting and distinctive.

In the fields of beauty, technology, and culture, I use these strengths to create messages that are clear, impactful, and free of unnecessary distraction.

Hyundai, Zalando, RTL Group, Magis, 11 Freunde, Visit Berlin, Mühle Shaving, Autostadt, Bundesbank, Gruner+Jahr, Zeit Kunstverlag, Death to Stock, Rocktech Lithium, Circulor, Kerber Verlag